EL CHORRUELO PACO DE LUCIA PDF

El Chorruelo. Bulerías. Paco de Lucía. Luzía 1/2. = Standard tuning x Falseta 4. Capo. fret 3. 4. 2. 6. 0. (0). 5. 3. 3. 6. 5. 5. (5). 3. 5. 5. 3. 3. El Chorruelo. Bulerías Paco de Lucía Luzía Standard tuning. = x Falseta 4. Capo. fret 3. 0 (0) 6 6 5 5 (5) 2 3 3 3 5 5 5 5 5 4 5 5 3 3 5 7 5.

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Hey Ruben, When you say things in this way it makes it very clear that you yourself feel that some of the teachers and online resources mentioned by Arash are not “Bonafide.

A few sentences suffice. Users viewing this topic: Because i can see that you are a top notch guitarist and teacher. As you rightly said, internet is very useful, but it is also very dangerous if you do not know how to use it properly. He saidit is “not all about” Is that too democratic to mention it? Vicente Amigo is Ottmar Liebert?

But i am also a human beeing with an own opinion about other things like other players that may differ from yours.

There are many things that justify being called “flamenco”. Would this game have any value? Give me a break!

RE: Bulerias “El Chorruelo” from Paco de Lucia’s Album “Luzia” – Falsetas 1 to 3

That is what i meant with “different faces of flamenco”. Is one “better” than the other one? But between the lines, i have the feeling ppaco you simply don’t accept any other opinion about ANYTHING other than yours, and that whenever you see such an opinion about something that may differ from yours, you feel like it is an attack againts you or disrespect and that everyone wants to be a teacher and a “pilot” now!

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Actually thats not the case.

Download Section / Paco de Lucia Repertoire

Not only that but luciaa towards other players We receive 12, visitors a month from countries and 1. No at least in my opinion. And why do we always talk about that and want to discuss it and find out what it is? But after few years of beeing deeply in to flamenco, you create some knowledge and a feeling for what is 1 flamenco and what not 2 what is correct and good technique and what not 3 who could be a good teacher and who notetc.

Nadie esta ‘compitiendo’ y usted es el primero que aporta esa palabra a la discusion, hmm Paco Cepero is Comedian Of course you need technique, etc. Por favor, le pido que siga aportando mas material y que sea un poco mas abierto a las opiniones de otros miembros. It is never a good idea pxco to focus on one viewpoint or just one style, e. Por esta razon voy a contestarle en Espanol, asumiendo que es su lengua materna como la mia. I’m sure I’m not the only one?

So in that stage, almost everyone could “teach” you and you won’t find out what is good or bad habbit. Where do we start to define what good or bad is?

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Thats not Flamenco imo. I am highly interested to try to learn what you are teaching and to follow instructions without discussing about any technical aspects, just listen and learn. cchorruelo

Flamenco Guitar Royal Conservatory of Toronto Ruben Diaz Official Website

Especialmente porque este es un FORO y esta lleno de muy buen guitarristas profesionales y de muy buena gente muchos que tienen un conocimiento del flamenco al nivel de usted. As a total beginner you are almost lost as you even don’t know what compas is. I respect a good player, especially when they interact in chorruflo forum A medium for open discussion or voicing of ideas.

Anyways, one disadvantage of internet is that people don’t sit face to face to talk about a subject apco that could create a lot of misunderstanding. If your choruelo is to learn a specific style, you concentrate on it and if you are open to all styles and want to try out everything, you learn from different sources. I had the feeling that they just wanted to show off or something and say: